Your child as the hero of their own book.

Personalised Children's Books

A personalised children's book where your child is the hero by name, not a template with a name swapped in. Every kind of children's book, adventure tales, read-aloud stories, early-reader chapters, from toddlers to pre-teens, with the values you choose woven in, and characters and events that stay consistent from page to page and across a whole series. The language is tuned to their exact age, and you approve the full story plan before a single page is written.

Create a kids book See pricing

700+

books generated

600+

writers on the platform

book languages

DOCX · EPUB · PDF

KDP-ready exports

Live platform totals, verified 2026-07-17

Why it works

Your child is the hero

Name, age, favorite animal, best friend, real memories. The story is theirs, not a template with a name swapped in.

A world that stays consistent

Characters, places, and the lesson carry through from page to page, and across a whole series, so your child grows up with the same hero. You also preview and approve the full plan before a word is written.

Values you choose

Courage, kindness, patience, sharing. Pick the lesson and the story carries it naturally, at the right reading level.

How it works

1
Tell us about your child
Name, age tier, interests, and the value you want the story to teach.
2
Preview the story plan
Approve the skeleton, or tweak it, before the full story is written.
3
Read it tonight
Get a finished, age-tuned storybook ready to read together, printable and shareable.

Create a kids book

What personalised actually means here

Most personalised children's books are one fixed story with a name dropped into the blanks. Two children get the same adventure with different labels on it. This works the other way round. Before the story exists you fill in a panel about the child it is for: their name, the animal they love, the things they are into, and, if you want, one real memory from their life. That panel is not decoration applied at the end. It replaces the generic character the engine would otherwise invent, so the plot itself grows around a child who likes dinosaurs and has a cat called Mimi rather than around a placeholder. You can add a dedication that sits at the front of the book the way it does in a bought one. Every field except the switch that turns the panel on is optional, and a name on its own already changes the story. Leave the boy or girl choice empty and the writing simply uses the child's name wherever a pronoun would otherwise go, which is the right answer more often than a form usually allows.

Four reading levels, and what actually changes between them

Picking an age here is not a label on the cover. It changes the sentences. Tiny Tale, for ages three to five, is very short, built on simple words and the kind of rhythm that works when someone else is reading it out loud. Early Reader, for six to nine, moves into short chapters a child can finish and feel proud of, with plenty of dialogue and one clear virtue running through it, such as kindness, honesty or patience. Middle Grade, for ten to twelve, allows a real plot with real stakes while staying safe, and turns on friendship, courage and responsibility. Young Adult, for thirteen to seventeen, uses a teenage voice and goes into identity and belonging, where harder edges are allowed but the arc still lands in growth. Sentence length, vocabulary and the themes the engine is permitted to touch all move with the level you choose. The genres offered move with it too, so the adult ones never appear in a children's flow.

You read the plan before you pay

There is a step between describing the story and buying it. Ask for a preview and the engine comes back with how it understood the whole thing. Who the hero is, the companion, what the story is really about, the lessons it intends to carry, the tone, and the memory you gave it if you gave it one. It arrives as a plan you can edit in place. Change the hero's description, rewrite a lesson that came out preachy, fix the tone, or reset the whole thing and try again. This costs nothing and no credit is charged for it. That matters more for a children's book than for most, because the thing a parent is actually worried about is not prose quality. It is whether the story is going to teach their child something they did not agree to. Reading the plan settles that before any money moves, and the plan you approve is the one the book is written from. It stays valid for twenty-four hours, so you can show it to the other parent first.

What is in the book, and what is not

These four levels produce text. A complete, finished story with chapters, written to be read aloud to a small child or read alone by an older one, but not a book with drawings on the pages. That is worth saying plainly, because the phrase children's book makes most people picture illustrations, and a product that lets you assume it and then does not deliver has cheated you. If pictures are the point, the illustrated storybook is a separate section of BookFoundry and it is a different product with its own flow. What the text levels give you instead is length and substance: a story long enough to last several bedtimes, or a chapter book a seven-year-old finishes over a week and is pleased with themselves about. Kids levels are also guaranteed to end well. That is enforced at the level of the engine rather than left to chance, which is the single most useful promise a bedtime story can make.

A book in the language spoken at home

Children's writing is where translation fails most obviously. Rhythm carries the story at these ages, and rhythm is the first thing to die when a sentence is moved across a language. A rhyme that worked in English becomes a flat statement, and read-aloud copy that has lost its beat is noticeably harder to read to a child who is waiting for the next line. BookFoundry writes in eighteen languages, and it writes in each of them from the outline rather than translating an English draft at the end. So a book made in Arabic is paced in Arabic, and its sentences are the length an Arabic sentence should be at that reading age. For families raising children between two languages, this is often the whole reason for making the book. The story that finally holds a child's attention in the language a grandparent speaks is worth more than the same story in the language they already get everywhere else.

What you do with it once it exists

Open it and change it. The draft is yours chapter by chapter, so if a scene is too long for a five-year-old's attention or a character says something that does not sound right, you edit it and move on. When it reads properly, export it. There is a print-ready PDF built to the specifications Amazon KDP expects, which is what you use for a real bound copy, and EPUB and DOCX for reading on a screen or handing to someone else. The printed copy is what most people are actually here for. A book with a child's own name inside it, a dedication in the front, and a story that happens to feature their cat, is an object a child treats differently from a book off a shelf. It survives being read three hundred times, which is roughly what a good one gets.

Frequently asked questions

An AI personalised children's book is a story written around one child: their name, how they look, even their pet, at the reading level you choose. You give the details and the story idea, and the engine writes a complete book you can print or read on any device. These age tiers are text, written to be read aloud or read alone. Illustrated storybooks are a separate section.

Age tiers from toddler to pre-teen. Vocabulary, sentence length, and story complexity adjust to the tier you pick.

Yes. Kids mode runs strict content rules, and the parent preview step means you approve the entire story plan before it's generated.

Yes. Export a print-ready PDF for home printing or print-on-demand, plus EPUB for reading on any device.

These age levels are text. They produce a complete written story to read aloud or read alone, without drawings on the pages. If you want an illustrated book, the illustrated storybook is a separate section with its own flow. We say this plainly rather than let the phrase children's book do the implying.

Their name, whether the story treats them as a boy or a girl, a pet or companion, the things they are interested in, one real memory, and a dedication for the front of the book. All of it is optional. A name alone already changes the story, and leaving the boy or girl choice empty means the writing uses the child's name where a pronoun would go.

Yes, and it costs nothing. Ask for a preview and you get the engine's understanding of the hero, the companion, the lessons and the tone, laid out as a plan you can edit or reset in place. Nothing is charged for it. The plan you approve is what the book gets written from, and it stays valid for twenty-four hours.

Yes, eighteen of them, and each is written from the outline in that language rather than translated at the end. For children's writing this matters more than for adult books, because rhythm is what carries a story at these ages and it is the first thing lost in translation.

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